Nov. 27, 2006 — Some ancient civilizations may have had an ear — not just an eye — for architecture. Two recent studies suggest early builders intentionally added unusual, and often psychedelic, sound effects to their structures.
Some of the most striking examples are at the 1,100-year-old Maya Great Ball Court at Chichen Itza, Mexico, according to David Lubman, who will present findings at the upcoming Fourth Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan in Hawaii.
Lubman studied the court's acoustic elements, including two "whispering galleries" that allow visitors to hear whispers from 460 feet away.
The feature could have once allowed a king or priest to address crowds of up to 3,000 outside without a microphone, Lubman explained.
The sound effects may have also held spiritual significance to players taking part in a bizarre game on the court.
In the Maya competition, players were fully padded and threw around a hard, rubber ball. They deflected the ball with their hips and a device at their chest known as a ball deflector.
The unusual acoustics on the court likely added an eerie ambiance to the play. The effect was perhaps appropriate, considering the competition's losers were sometimes sacrificed after a defeat, according to Lubman.
"Players on the ball court would hear voices but see no one," he explained. "This would seem supernatural to pre-scientific listeners... . According to the K'iche' Maya myth called the 'Popol Vuh,' the noises of the ball court play evoked the Lords of the Underworld."
A single ball striking the court would have echoed four times per second, Lubman found.
"I suspect that the flutter echoes sounded like the rattles of a menacing rattlesnake," he said. "(They) must have added an exciting aural element to the deadly drama of the ballgame."
The echoes were made possible by massive, smooth stone walls carefully positioned to reflect sound, similar to today's band shells. The walls at the court are 270 feet long and 28 feet tall.
