Based on land locations where the body art and object imagery were found, as well as the nature of the designs, Brady concludes that the Cape York residents were the hunter-gatherers, while groups in more northerly locations within Torres Strait appear to have been horticulturalists. Since imagery mixed and matched more among the early farmers, Brady concludes they enjoyed kinship links, and engaged in extensive trade, with Papua New Guinea groups. In the future, similar studies could help to identify cultural groups in other regions, while also revealing their social interactions. Such studies could prove particularly useful for other parts of Australia and New Zealand, where tattooing and body art, as well as totems -- protection entities often depicted with colorful imagery -- were common. Recently, for example, the Field Museum in Chicago returned the human remains of 14 Maori native New Zealanders back to their country of origin. The remains are now at the Museum of New Zealand Te Papa. Included in the collection of mandibles, crania and other bones is "one preserved head with facial tattoos," according to a Field Museum announcement. In an act of repatriation, nine tattooed Maori heads were also recently gifted to Te Papa by Scotland's Aberdeen Museum. Te Taru White, a Maori specialist at Te Papa, said the "ancestors" made "the long journey home to New Zealand and to their people." The heads are now in a consecrated, sacred space within the New Zealand museum, where they may be studied and researched further. In Brady's case, his work was undertaken as part of collaborative research projects initiated by certain Torres Strait and Aboriginal communities. Related Links: Discovery News blog: Born Animal |
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