None of the enigmatic statuettes seem fearsome or fearful. The rare male statuettes have faces often covered by masks, while the abundant female statuettes are gracious and mask-free, with tattooed bodies and long feet. There are no chained slaves or sacrificial figures -- a sign of a rather egalitarian culture, according to historians. The pottery's obsessive spiral and circle patterns could also help explain another strange feature of this culture. "We do not know why, but all of the 4,000 Cucuteni-Trypillians settlements were intentionally burned," said Sergiy Krolevets, director of the National History and Culture Museum of the Republic of Moldova. One explanation is that the Cucuteni might have seen the world as cyclical -- a concept they might have expressed in the circles they painted on their pottery. According to this hypothesis, every some 60-80 years they would sacrifice whole cities by intentionally burning thousands of their houses. Then they would move to create another settlement. Whatever the reason behind it, the practice required an extremely well coordinated, centrally organized society. "Getting to know more about this civilization is very important to us...We are proud to have brought the world's greatest Neolithic culture," said Romeo Dumitrescu, president of the Cucuteni pentru Mileniul III foundation in Bucharest. Related Links: Rossella Lorenzi's blog: Archaeorama |
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