Gutenberg (c.1397-1468), whose real name was Johannes Gensfleisch, is
credited with inventing a mold for small metal blocks with raised
letters on them. The blocks could be put together to form words.
After a
page was printed, the type could be reused for printing other pages.
With this method, Gutenberg is said to have printed an edition of about 180
copies — of which only 48 exist today — of the 42-line bible, so called
for the number of lines in each printed column.
The invention produced a literary boom in Europe.
According to Fabbiani, Gutenberg printed his bible not with movable
type, but with a brilliant metallographic invention.
After scrutinizing an original page of the 42-line bible, Fabbiani
noticed that some letters were slightly superimposed.
"Movable type are metal blocks, sort of parallelepipeds put together, one
attached to another, to form words. With this method, it is practically
impossible for type to be superimposed," Fabbiani said.
Instead, Gutenberg used keys similar to those on a typewriter, according to Fabbiani.
"Just think of something like the keys of a typing machine, but bigger
of course. Using them, a character after another, a line after another,
Gutenberg impressed a metal plate until he created a page and printed it.
With this method, it is quite likely that some imperfection such as the
slightly superimposing type, occurred," Fabbiani said.
The researcher devised and showed 30 experiments at the trial that would
indicate Gutenberg did not use moveable type.
The claim caused uproar among academics. Some researchers simply
dismissed Fabbiani's experiments as a stunt.
Eva Hanebutt-Benz, director of the Gutenberg Museum in the German town of
Mainz, where Gutenberg was born, told reporters that there are "many open
questions" on how Gutenberg produced the Bible as no documents exist from
the printer's workshop. But she was strongly skeptical about Fabbiani's claim.
Other experts were intrigued.
"This is very important and credible research. We should not be afraid
to destroy the myths, " Francesco Pirella of Genoa's Museum of Print told
Discovery News.
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